About the San Francisco Symphony
Founded in 1911, the San Francisco Symphony (SFS) celebrated
its Centennial Season in 2011-12 and is
widely considered to be among the country’s most artistically adventurous and
innovative arts institutions. Under Music Director Michael Tilson Thomas (MTT), the
SFS presents more than 220 concerts and presentations annually for an
audience of nearly 600,000 in its home of Davies Symphony Hall and through an
active national and international touring program.
Tilson Thomas assumed his post as the SF Symphony’s
eleventh Music Director in September 1995 and celebrates his 18th
season as Music Director in 2012-13. Together, he and the SFS have formed a
musical partnership hailed as one of the most inspiring and successful in the
country. His tenure with the Orchestra has been praised by critics for
outstanding musicianship, innovative programming, highlighting the works of
American composers, and bringing new audiences to classical music.
Michael Tilson Thomas and the San Francisco
Symphony maintain a leading presence among American orchestras around the world
through an active touring program, award-winning recordings, and innovative
broadcast and education projects. In 1996, MTT led the orchestra on the first
of their nearly two dozen national and international tours together to Europe,
Asia and throughout the United States, with annual performances at Carnegie
Hall. Recent tour highlights include the March 2012 two-week national U.S. tour of all-American Mavericks
music, with Meredith Monk, Jessye Norman, Paul Jacobs, Emanuel Ax, Joan La
Barbara, Jeremy Denk, and Mason Bates; a 2011 three-week tour of Europe; a 2007
European tour that featured two televised appearances at the BBC Proms in
London, concerts in Edinburgh, Berlin
and Frankfurt, and at several major European festivals, including Lucerne; and their
first appearances in mainland China, including opening the Hong Kong Arts
Festival, as part of their 2006 Asia tour. They opened Carnegie
Hall’s 2008-09 season with a gala tribute to Leonard Bernstein that was filmed
and broadcast nationally on Thirteen/WNET New York’s Great Performances on
PBS television.
Based in one of
the most ethnically diverse communities in the United States, the San Francisco
Symphony has a similarly diverse musician roster. Of the 100-plus musicians in
the SF Symphony, almost a dozen are Chinese- or Japanese-Americans. The
orchestra’s recordings have long been in demand by Japanese music fans and
audiophiles, and the Orchestra and Tilson Thomas have a long-lasting relationship
with the country. Japan was the Orchestra’s first destination on its first
international tour, in 1968. They returned in 1975 under then-Music Director
Seiji Ozawa, who led the Orchestra from 1970-1977. Until 2000, Michael Tilson Thomas was
co-Artistic Director of the Pacific Music Festival, which he and Leonard
Bernstein inaugurated in Sapporo, Japan in 1990.
The Orchestra’s own SFS Media label showcases
the Orchestra’s core classical repertoire alongside lesser-heard contemporary
and modern works, especially by American composers. In 2010, Tilson Thomas and
the SFS concluded their self-produced Mahler recording project, launched in
2001 and encompassing all of Mahler’s symphonies and works for voice, chorus
and orchestra. The Orchestra’s Mahler cycle on SFS Media has been recognized
with seven Grammy Awards, including three Grammy Awards for its recording of
Mahler’s Symphony No. 8 and the Adagio from Symphony No. 10. The Orchestra’s
2011-12 Centennial Season Opening Gala concert was televised on PBS-TV’s Great Performances and released on DVD.
The San Francisco Symphony’s commitment to
music education has resulted in the groundbreaking television, radio,
multimedia and website project Keeping Score; an award-winning
children’s website, www.sfskids.com;
and Adventures in Music,
a nationally acclaimed in-school music education program in San Francisco
schools. The Keeping Score series has been viewed by over nine million people
since its first broadcast in 2006 and has been acclaimed for making classical
music accessible to a wider, more diverse audience.
About
Yuja Wang
Born in Beijing in 1987, Yuja Wang began
studying piano at age six, with her earliest public performances taking place
in China, Australia and Germany. She studied at the Central Conservatory of
Music in Beijing under Ling Yuan and Zhou Guangren. From 1999 to 2001 she
participated in the Morningside Music summer program at Calgary’s Mount Royal
College, an artistic and cultural exchange program between Canada and China,
and began studying with Hung Kuan Chen and Tema Blackstone at the Mount Royal
College Conservatory. In 2002, when she was 15, she won Aspen Music Festival’s
concerto competition. She then moved to the U.S. to study with Gary
Graffman at The Curtis Institute of Music in Philadelphia, where she graduated
in 2008. In 2006 Yuja received the Gilmore Young Artist Award. In 2010
she was awarded the prestigious Avery Fisher Career Grant.
Since her 2005 debut with the National Arts
Centre Orchestra led by Pinchas Zukerman, Yuja Wang has already performed with
many of the world’s prestigious orchestras, including, in addition to the San
Francisco Symphony, the Boston Symphony Orchestra, Chicago Symphony Orchestra,
Cleveland Orchestra, Dallas Symphony Orchestra, Detroit Symphony Orchestra,
Houston Symphony, Los Angeles Philharmonic, National Symphony, New World
Symphony, Philadelphia Orchestra, and the Pittsburgh Orchestra, and internationally
with the Tonhalle Orchestra, China Philharmonic, Filarmonica della Scala,
Gulbenkian Orchestra, London Philharmonic, the NHK Symphony in Tokyo and
Orchestra Mozart, among others. She made her debut with the San Francisco
Symphony in 2006 at its annual Chinese New Year concert, and has returned to
perform with the Orchestra each year since then, developing a close artistic
connection with Michael Tilson Thomas. She performed in Japan and Korea with
the New York Philharmonic on its 2006 tour. In 2008 Yuja performed as a soloist
with the YouTube Symphony Orchestra led by Tilson Thomas at Carnegie Hall.
Her acclaimed recordings include Transformation, for which she received
an Echo Award 2011 as Young Artist of the Year. Wang next collaborated
with Claudio Abbado and the Mahler Chamber Orchestra to record her first
concerto album featuring Rachmaninoff’s Rhapsody on a Theme of Paganini and
Piano Concerto No. 2 in C minor, which was nominated for a Grammy® as Best
Classical Instrumental Solo. Her most recent record, Fantasia, is a collection of encore pieces by Albéniz, Bach,
Chopin, Rachmaninoff, Saint-Saëns, Scriabin and others.
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